Originally, Emma Kirkby
had no expectations of becoming a professional singer. As a classics
student at Oxford and then a schoolteacher she sang for pleasure in
choirs and small groups, always feeling most at home in Renaissance and
Baroque repertoire. She joined the Taverner Choir in 1971 and in 1973
began her long association with the Consort of Musicke. Emma took part
in the early Decca Florilegium recordings with both the Consort of
Musicke and the Academy of Ancient Music, at a time when most
college-trained sopranos were not seeking a sound appropriate for early
instruments. She therefore had to find her own approach, with enormous
help from Jessica Cash in London, and from the directors, fellow
singers and instrumentalists with whom she has worked over the years.
To date, she has made well
over a hundred recordings of all kinds, from sequences of Hildegarde of
Bingen to madrigals of the Italian and English Renaissance, cantatas
and oratorios of the Baroque, and works of Mozart and Haydn. Her most
recent recordings include: Handel - opera arias and The Rival Queen -
for Hyperion; Buxtehude Motets for Da Capo; Adeste Fideles - Christmas
down the Ages for Sony, and Bach wedding cantatas for Decca. Emma still
prefers live concerts however, especially the pleasure of repeating
programmes with colleagues; every occasion, every venue and every
audience will combine to create something new from this wonderful
repertoire.
She was made a Dame in the queen's 2007 Birthday honours list.
|